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In the past, when the stage was replaced, it not only wasted a lot of time, but also failed to achieve a certain effect. Due to the limitations of these conditions, many scenes in the script could not be realized. The sound is helpful to create the stage effect. Because the main reason for sound regulation is to make the output sound more pleasant and harmonious, pay more attention to the unity of volume, sound quality and tone, and create a dramatic effect for the characteristic performance. Human voice and musical instrument sound belong to compound sound, which is mainly composed of pitch and overtone.

因此需要進(jìn)行調(diào)控，才能發(fā)出音色。在美化、裝飾聲音之上，可以通過調(diào)音臺進(jìn)行輸入通道的調(diào)試，并且對音色進(jìn)行相應(yīng)的處理，以此提升其表現(xiàn)力。通過對音色頻道進(jìn)行處理，以此提升舞臺藝術(shù)的表現(xiàn)力。在處理音色頻率的過程之中，如若高音頻段頻率較弱，則會使得音色中的個性和韻味產(chǎn)生變化。如若中高頻段頻率較弱，則會使音色變得朦朧且暗淡，但是如果過高，則音色則會變得比較呆板。如若中低頻段頻率較弱，則音色會變得軟綿綿、乏力且空虛，但是如果過強(qiáng)，則會使音色變得無活力且生硬。

Therefore, it needs to be regulated in order to produce the best timbre. On the basis of beautifying and decorating the sound, the input channel can be debugged through the mixer, and the sound color can be processed accordingly, so as to improve its expressiveness. Through the processing of timbre channels, we can improve the expressiveness of stage art. In the process of processing timbre frequency, if the high frequency band frequency is weak, the personality and charm in timbre will change. If the medium and high frequency band frequency is weak, the timbre will become dim and dim, but if it is too high, the timbre will become more rigid. If the medium and low frequency band frequency is weak, the timbre will become soft, weak and empty, but if it is too strong, the timbre will become lifeless and stiff.

如若低頻段頻率較弱，則會使音色變得蒼白，但是如果過強(qiáng)，則會造成音色渾濁不清。因此，音色的調(diào)試，需根據(jù)舞臺表演的需求進(jìn)行，如果能夠按照舞臺導(dǎo)演或者是演員的要求進(jìn)行調(diào)控和設(shè)定，則能夠營造出相應(yīng)的舞臺氛圍，并且能夠通過聲音對任務(wù)進(jìn)行刻畫。

If the low-frequency band frequency is weak, the timbre will become pale, but if it is too strong, it will cause timbre turbidity. Therefore, the debugging of timbre needs to be carried out according to the needs of stage performance. If it can be adjusted and set according to the requirements of stage director or actor, it can create the corresponding stage atmosphere and depict the task through sound.

在舞臺美術(shù)中應(yīng)用音響能夠有效地提升舞臺的現(xiàn)場表演效果。但舞臺戲劇藝術(shù)的藝術(shù)核心始終都是不變的，比如所表達(dá)的時代精神、所表現(xiàn)的社會生活、所考量的人性，而任何技術(shù)所存在的價值，就是表達(dá)這些舞臺戲劇技術(shù)所要傳達(dá)的內(nèi)容。總之，只有讓舞臺美術(shù)更好地應(yīng)用音響，才能夠更好地讓舞臺藝術(shù)以百家爭鳴、百花齊放的形式呈現(xiàn)出來。

The application of sound in stage art can effectively improve the live performance effect of the stage. However, the artistic core of stage drama art is always unchanged, such as the spirit of the times, social life and human nature. The value of any technology is to express the content that these stage drama technologies want to convey. In short, only by making better use of sound in stage art can stage art be better presented in the form of a hundred schools of thought and a hundred flowers in full bloom.