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The role of stage sound effect in performance is becoming more and more prominent, and people pay more and more attention to it. How to optimize the stage sound effect is a problem that every literary and art group must consider. This paper mainly discusses how to optimize the stage sound effect from three key elements: the quality of the stage tuner, the combination of sound equipment and the integration of sound and stage environment.

一、有良好的聲音調(diào)試技術(shù)

1、 Good sound debugging technology

作為一個(gè)調(diào)音師人，我們應(yīng)該對(duì)調(diào)試過的音樂作品進(jìn)行深入的分析和理解，把電聲技術(shù)和聲音技術(shù)結(jié)合起來。例如，使用均衡器來改善原始聲音的音色;使用混響器和延時(shí)器增加親密度、距離和空間;你也可以使用“加倍”技術(shù)來增加某種樂器的“群體感”;特別是采用音頻數(shù)字技術(shù)后，調(diào)音師可以通過修改聲波來創(chuàng)造人聲和樂器的音色，并根據(jù)不同演員的聲音特點(diǎn)突出他們的聲音優(yōu)勢(shì)，從而彌補(bǔ)他們聲音的不足。

As a tuner, we should deeply analyze and understand the debugged music works, and combine electroacoustic technology with sound technology. For example, an equalizer is used to improve the timbre of the original sound; Reverberators and time delayers are used to increase intimacy, distance and space; You can also use the "double" technique to increase the "group feel" of an instrument; Especially after adopting audio digital technology, the tuner can create the timbre of human voice and musical instrument by modifying the sound wave, and highlight their sound advantages according to the sound characteristics of different actors, so as to make up for their lack of sound.

二、具有良好的聲學(xué)藝術(shù)修養(yǎng)

2、 Have good acoustic art accomplishment

舞臺(tái)音響設(shè)備調(diào)音師要具有良好的聲學(xué)藝術(shù)素養(yǎng)直接影響舞臺(tái)聲音的調(diào)試效果。調(diào)音師應(yīng)該熟悉不同的演員、不同的樂器以及發(fā)聲材料的振動(dòng)頻率和和聲表現(xiàn)的差異。只有通過熟悉各種樂器和聲音的寬和窄頻帶，他才能識(shí)別聲音的特征和缺陷。如果一個(gè)歌手在舞臺(tái)上用MIDI伴奏唱歌，調(diào)音師會(huì)處理他的伴奏。同樣，與令人愉悅的舞蹈相匹配的音樂由調(diào)音師處理。這時(shí)，舞臺(tái)要求調(diào)音師將音樂的強(qiáng)弱對(duì)比運(yùn)用到舞臺(tái)的表演中，從而達(dá)到好的表演效果。

Stage sound equipment tuner should have good acoustic artistic quality, which directly affects the debugging effect of stage sound. The tuner should be familiar with the differences of vibration frequency and harmony performance of different actors, different musical instruments and sound producing materials. Only by being familiar with the wide and narrow frequency bands of various musical instruments and sounds can he identify the characteristics and defects of sound. If a singer sings with MIDI accompaniment on stage, the tuner will handle his accompaniment. Similarly, the music that matches the delightful dance is handled by the tuner. At this time, the stage requires the tuner to apply the contrast of music strength to the stage performance, so as to achieve good performance effect.

三、具有良好的音頻調(diào)試心理素質(zhì)

3、 Have good psychological quality of audio debugging

事實(shí)證明，調(diào)音師的心理素質(zhì)與舞臺(tái)音響效果有很大關(guān)系，而不穩(wěn)定的心理情緒會(huì)導(dǎo)致調(diào)音師聽覺靈敏度和分辨力的下降，甚不能正確判斷各種音色，這將對(duì)整個(gè)舞臺(tái)效果產(chǎn)生負(fù)面影響。

Facts have proved that the psychological quality of the tuner has a great relationship with the stage sound effect, and the unstable psychological mood will lead to the decline of the auditory sensitivity and resolution of the tuner, and even can not correctly judge all kinds of timbres, which will have a negative impact on the whole stage effect.

因此，調(diào)音師應(yīng)掌握必要的心理學(xué)知識(shí)，培養(yǎng)較強(qiáng)的心理適應(yīng)能力、心理承受能力和心理控制能力，靈活運(yùn)用藝術(shù)心理學(xué)、創(chuàng)作心理學(xué)和觀眾心理學(xué)的知識(shí)，將音樂的嚴(yán)肅性和嚴(yán)肅性與音樂的幽默性有機(jī)結(jié)合起來，從而提高他在舞臺(tái)音響工作中的整體品位和水平。

Therefore, the tuner should master the necessary psychological knowledge, cultivate strong psychological adaptability, psychological endurance and psychological control ability, flexibly use the knowledge of art psychology, creative psychology and audience psychology, organically combine the seriousness and solemnity of music with the quietness of music, so as to improve his overall taste and level in stage sound work.